Edward Scissorhands

I sat watching Edward Scissorhands in 1990, mesmerized.

I laughed, I cried, I sighed, I railed against the injustice, and gave my heart to Johnny Depp. No worries, I’d given it before and since; it’s still in good working order. I’m sure he’d reciprocate if he knew I existed…or not.

Themes of bullying, prejudice, isolation, teen angst, self-awareness, hope, pain, betrayal, lies, dignity, honour, and love weave a dazzling web of stunningly brutal tragedy, comedy, and enchantment, in and out, in and out, each thread of this film somehow masses together in utter brilliant film magic.

The castle is gothic and delightful, but a place of secrets and loneliness.

The suburban neighbourhood is weird and flawed, but with creepy optimism and veracity.

The contrast shows that hope and love can flourish anywhere, as can pain and deceit.

Lauded, loved, mocked, hated, and parodied (best, when Depp reprised his role on Family Guy…you have to see it to believe it). And still it has stunningly stood the test of time.

Caroline Thompson, Stefan Czapsky, as well as the astonishing cast and crew did a superb task of articulating Tim Burton’s vision of Edward and his challenges and his triumphs. This film is truly a gift.

Vincent Price is categorically flawless in what turned out to be his last performance on film, ending a dramatic and spectacular career as the great gentleman of horror.

 When Winona Ryder (Kim Boggs) is dancing in the ‘snow’ that Edward creates from the angel ice sculpture, it’s so heart-cutting because their love can never be, but they will always know it really is. Perhaps it’s so poignant because Depp and Ryder were a real-life couple at the time…and not meant to be.

This is a perfect movie for Halloween, Christmas, or any day of the year.

Love, love, love this movie. Did I mention I love it, not sure if that was clear.