Posted in Books, Chocolate, Doctor Who, Food, Movies, Political, Televison, Uncategorized, Weight

Charlie and The Chocolate Factory Turns 50

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I’m celebrating 50,000+ views on my blog (Thank you! Thank you!) and the 50th anniversary (published 1964) of Charlie and the Chocolate Factory by Roald Dahl, published 1964.

Loved with this book, then I saw the movie, Willy Wonka and the Chocolate Factory – my mind was forever altered.
A factory full of chocolate? It was one thing to read about it, another to see a river of chocolate

I still love the 1971 Gene Wilder version best (directed by David L. Wolper), maybe because it’s steeped in childhood memories or because for me, it’s Gene Wilder’s definitive performance.

This is where I fell in love. Gene Wilder and chocolate. Sign me up!

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Wilder is the ultimate Willy Wonka. He didn’t go over-the-top weird, instead opting for a subtle, damaged man-child who was trapped in his own reclusion, a Howard Hughes-like creative genius who couldn’t cope in a reality that wasn’t of his own making. Wilder’s transcendent blend of cordiality, callousness, awe, and animosity make you think he is Wonka, he just is.

Jack Albertson was delightful as Grandpa Joe, who apparently couldn’t get out of bed to get a job, but could dance a jig and spend the day at a chocolate factory.

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Charlie Bucket is the only child Dahl and Wonka even remotely like due to his meek and accommodating nature, but Charlie wasn’t as obedient as he seemed, he spent money on a chocolate bar that he wasn’t supposed to; so even in the most co-operative child Dahl found a fault.
The 1971 version was renamed Willy Wonka and the Chocolate Factory to cross-promote UK’s The Willy Wonka Candy Company who had bought the rights from Roald Dahl.

I never understood why Roald Dahl was classed as a children’s author, he clearly disliked children, at times rather intensely. His stories and books reflect this.
What he hated more than children were their parents, specifically parents who didn’t raise their children properly, at least from his point of view.

Imagine what Roald Dahl would think of children and their parents now?

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The Friday Project/ Harper Collins

I recently read A Brief History of Chocolate (Steve Berry and Phil Norman) which I must warn you will not only vastly entertain and inform, but make you crave chocolate.

Despite best intentions this book lacked something, what was it? Oh yes, chocolate. They should sell each copy with a chocolate bar or coupon for a free chocolate bar. There, a marketing idea, no charge…although I’d take a thank you in chocolate bars.

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I also loved the darker, creepier Tim Burton vision of Willy Wonka.

Johnny Depp played him weird and it worked. Also damaged, but in a deranged-metrosexual-game-show-host-who-moonlights-as-a-rock-star-on-acid-way.

Veruca Salt was a bad egg or nut in all versions, but really, her parents spoiled her. Also, Augustus Gloop, Mike Teevee, and Violet Beauregarde. All annoying children, but allowed, even encouraged to be so by their parents.

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 The first time I walked into the Hershey chocolate factory in Smith Falls, Ontario the smell was divine, like melted chocolate floating through clouds of more chocolate just before it rained chocolate.

I’ll never forget the look on my son’s face, the pure wonder as he watched row after row after row of Reese’s Peanut Butter Cups racing happily along the conveyor belt.

I’m sure I had a similar look as I saw the giant vat of chocolate I wanted to swim in, not figuratively, literally.

No Oompa-Loompas, no chocolate waterfall, trees made of taffy, Everlasting Gobstoppers, no fizzy lifting drinks, or Wonka though, but lots of chocolate for sale and sample.

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Alas Hershey closed the factory after 45 years, losing a great tourist attraction, and hundred of jobs. Several other large employers closed, shipping more Canadian jobs overseas, 1ww10leaving 40% of the town unemployed.

Now a flame has been lit as Smith Falls rallies; the factory at 1 Hershey Drive now produces medical marijuana, which, in a great cosmic irony would have made more people buy chocolate.

There are still times, when I open a chocolate bar wrapper and think I see a flash of gold.

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Posted in Movies, Music, Televison, Uncategorized

Happy 40th Anniversary Blazing Saddles

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To celebrate getting over 40,000 views on my blog I decided to say Happy 40th Anniversary to Blazing Saddles. Is it even possible that Mel Brooks’ nod to classic Westerns was released in 1974?

I saw this Mel Brooks masterpiece when I was around young – it was different times, people didn’t assume seeing comedy, even crude comedy was going to affect anyone. I didn’t understand half the jokes, so when I re-watched it later I was more impressed and hurt myself laughing.

Blazing Saddles takes satire to fine art status as Mel Brooks takes us back in time to the American Old West, circa 1874. He pokes fun at Hollywood’s version of the Old West, especially the racism by making a completely implausible scenario – a small Western town hiring a black sheriff, even by mistake and the mayhem that it caused.

Brooks was a pioneer in using offensive humour to mock people’s prejudices. He felt it could make people realize how silly intolerance was by making it funny. Still not sure everyone got the point.

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Mel Brooks is a master at  breaking the Fourth Wall before it became the cool thing to do. Known for throwing in anachronisms to amuse, bemuse, and possibly defuse any tensions his deliberate political incorrectness could cause, Brooks went to ye olde town in Blazing Saddles with various references like: WW II, Laurel and Hardy, Gucci, Academy Awards, Cecil B. Demille, and The Count Basie Orchestra playing April in Paris.

Gene Wilder and Cleavon Little are an amazing on-screen bromance; it’s clear in most scenes there are many private jokes and difficulty keeping straight faces.

I can never decide who makes me laugh the most, Harvey Korman, Madeline Kahn or Dom DeLuise or maybe the combination makes it so absurdly perfect.

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Less Than 40 Fun Blazing Saddles Facts:

 The now defunct Pickwick Drive-In Theater in Burbank, California became a ride-in theater as guests rode in on horseback for the Blazing Saddles première.

Mel Brooks is one of a small group to have every won EGAT –  an Emmy, a Grammy, an Academy Award and a Tony.

Gene Wilder wasn’t the first choice for the Waco Kid, Johnny Carson among others turned it down and Gig Young became indisposed in early production with an elbow bending problem so Wilder was brought in.

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Blazing Saddles was the first movie to have foreground music instead of background music.

Madeline Kahn received an Oscar nomination for her role as Lili von Shtupp. So the Oscars used to be fun I guess. Love her song, I’m So Tired, cracks me up every time.

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Brooks’ wanted Richard Pryor who was one of the scriptwriters to play the Sheriff, but the studio thought he wasn’t as well-known as Cleavon Little.

Trailblazing Brooks made this movie the first to have on-screen flatulence. Come on, all those beans and coffee, yer dern tootin’ those cowboys would have been tootin’.

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There are 11 men sitting around the fire during the bean scene, Mongo is to the side or it could have been a dirty dozen.

1blaze17John Wayne said he found the script funny, but declined to actually appear in Blazing Saddles. How cool would that have been?

I always thought Slim Pickens name was funny.

Gene Wilder had the idea and a few pages written for Young Frankenstein and approached Brooks with the idea during filming of Blazing Saddles. They worked on the script together while filming. Blazing Saddles was released February 1974 and Young Frankenstein December of the same year.1blaze18

Mel Brooks received some hate mail about the horse being punched. He explained the horses were trained to fall, like horses in Westerns, they were acting horses, no one hurt the horses. Brooks always seemed confused because he thought everyone understood how much he loved animals.

He also received hate mail about using the ‘N’ word although he was assured by Richard Pryor, Cleavon Little and others he use it correctly. In retrospect Brooks says he would reconsider using it, but found it interesting he only got hate mail from white people about the word.

Anyone remember how many flavors of ice cream Howard Johnson’s Ice Cream Parlor sold?
How about what snack Hedley Lamarr purchased at the theater? I had to look this one up.

What is most or least favourite of this movie? Mine is when Cleavon Little/Bart takes himself hostage; I think it changed comedy forever.

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Young Frankenstein

franken7I’m a laugh addict. Movies, TV, books, people (not usually at them, more like, if they make me laugh), to be honest, I’m even satisfied with smiling. I have the laugh lines to prove it. Which brings me to Mel Brooks, bad man having contributed to these aforementioned lines.

One of the worst offenders is still Young Frankenstein starring Gene Wilder (whom I wished to marry when this movie came out, now I’d go for friendship).
You’d think after all these years I’d get tired of it yet I don’t.

It’s impossible to explain how hilarious this doting spoof on Mary Shelley’s classic, Frankenstein is, but I’m chuckling even as I type.

As time marches on, 40 years later, watching this has become bittersweet with the passing of so much of its brilliant cast.

Props created by Kenneth Strickfaden for the 1931 film Frankenstein were used as most of the lab equipment in this film.

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The ‘Walk This Way’ gag in the movie was the inspiration for Aerosmith’s hit, Walk This Way.

Cloris Leachman improvised a scene in which Frau Blücher (add horse whinnying here) offers “varm milk” and Ovaltine to Dr. Frankenstein/Fronkensteen.franken8

Gene Wilder came up with the idea for YF and pitched it Brooks while filming Blazing Saddles.

Wilder and Brooks agreed the latter couldn’t actually be in the movie because Brooks’ charisma always managed to break the fourth wall whether or not he played himself. But he did provide all the sound effects. It’s good to be the movie King

Wilder fought Brooks to keep the “Puttin’ On The Ritz” (written by Irving Berlin, made famous by Fred Astaire) bit in; thank goodness he won.franken2

Young Frankenstein was not only filmed in black and white for effect, Brooks used unusual techniques like iris outs, wipes, fades to black, and old-fashioned opening credits.

As a gag, Marty Feldman furtively moved his character’s hump from shoulder to shoulder to see if anyone would notice so they added it to the film with lines like, “Didn’t you used to have that on the other side?”, and “What hump?”.

Gene Hackman, who played tennis with Wilder asked to be put in the film. So, not just blind luck…franken6

Madeline Kahn, Marty Feldman, and Peter Boyle also starred in the mind-numbingly funny Yellowbeard with the astonishing Graham Chapman.franken4

Gene Wilder always had trouble not laughing during scenes. I understand.

Now – Put…the candle…back!